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360 House - Subarquitectura

A unique opportunity for us is in reality a problema that’s been posed thousands of times: to construct a house with a public programme of social relation, associated with the prĂ­vate life of a numerous family on a sloping plot of land with privileged views of the mountains outside Madrid. It has no one solution, there are many, they’re even catalogued in books about houses of a slope.


Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura

We try not to think of domestic spaces. On the contrary, we take as a point of reference works of engineering, motorway intersections, changes of direction. We proceed from generic solutions to the problem of descending, solutions that conceal great plasticity. We seek the poetic in all that seems to have been considered from the merely pragmatic point of view.

Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura

Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura

The result is the literal construction of a use diagram. In this instance, form does not follow function, but is instead function itself. Cyclical movement, routine and surprise turn into a way of living.

Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura

Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura

Its formal complexity offers the possibility of reaching all points of the house through two different routes, which multiply the possibilities of use and enjoyment. It has the form of a loop, 360º, like the shapes skaters make, like of gymnasts, as artistic as they are precise.

Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura

Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura

An extreme shape, the house is curved, generating the greatest quantity of linear meters towards the good views. It is shored up in the landscape and turns back on itself, completing the revolution.

Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura

Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura

The degree of intimacy increases as the distance to the ends increases. At the midpoint, a mediatheque, isolated and completely dark, 100 % technology, 0 % landscape.

Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura

Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura


With a single gesture two ways of moving are generated: going down and looking outwards. The long house, a sinuous movement, a descent by ramp and ample turning radii tangential to the setbacks of the plot of land generate a panoramic vision. The short house, the quick way in a straight line, stairs of direct descent and a deep view towards the landscape.

A building that is black outside, absorbent, of slate, a material specific to the location, imposed as an aesthetic specification of the area. White inside, reflective, generic, neutral, and luminous. Life incorporates colour, outside with the vegetation and inside with the people.



Architects: Subarquitectura
Location: Galapagar, Madrid, España
Project Year: 2010
Photographs: David Frutos



Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura

Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura

Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura

Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura


Vivienda Colectiva, Edificio Gen Carmen Sylva, Chauriye Stäger Arquitectos, diseño, casas, arquitectura




VIA: TECNOHAUS

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